[{"data":1,"prerenderedAt":11},["ShallowReactive",2],{"blog-post-a-z-of-raihead-l-is-for-lucky":3},{"_type":4,"body":5,"bodyHtml":6,"excerpt":5,"featuredImage":5,"publishedAt":7,"slug":8,"tags":9,"title":10},"blogPost",null,"My co-author on \u003Ci>Pugs of the Frozen North\u003C/i>, \u003Ca href=\"http://www.philip-reeve.com/\">Philip Reeve\u003C/a>, has had a strangely divided autumn, promoting our book, and his own entirely dissimilar novel \u003Ci>Railhead\u003C/i>, also published by Oxford University Press. (I should add, \u003Ci>Railhead\u003C/i> is amazing, everyone go read it right now.) He's doing an \u003Cb>\u003Cfont size=\"3\">A-Z of Railhead\u003C/b>\u003C/font> blog tour and I'm lucky enough to host the letter 'L'! \\r\n\\r\n\u003Cimg src=\"https://images.jabberworks.co.uk/lj/railhead_cover_zpsbdjyp7iq-d22ee8cace.jpg\" />\\r\n\\r\n\u003Cb>\u003Cfont size=\"7\">L\u003C/font> \u003Cfont size=\"5\">...is for Letting Sarah McIntyre Read The Early Versions\u003C/b>\u003C/font>\\r\n\\r\n\u003Ci>\u003Cb>Railhead\u003C/b>\u003C/i> was written in very much the same way as I wrote \u003Ci>Mortal Engines\u003C/i>. It came together slowly, over a number of years, using and re-using bits from many abandoned experimental versions. That&rsquo;s pretty much how I always work, but in recent years, with publishing deadlines to meet, I&rsquo;ve had to compress the process, and limit the number of early drafts. I didn&rsquo;t have a contract for \u003Ci>Railhead\u003C/i>, so I was able to take as long as I liked. I ended up writing two or three whole novels before I finally hit on the idea of the trains, which ties the finished book together.\\r\n\\r\n\u003Cimg src=\"https://images.jabberworks.co.uk/lj/railheadoup_zpsdhzeebdn-aee76778c4.jpg\" />\\r\n\u003Cspan style=\"color:#1417db;\">\u003Ci>Sarah interjects: This photo I took of Philip appeared in the back of the book, and I got a little photo credit!\u003C/i>\u003C/span>\\r\n\\r\nIn the past, I&rsquo;ve always been very secretive about what I&rsquo;m writing. I hear about authors who sit down at the end of each day and read the latest chapter to their partner, but I don&rsquo;t even like talking about mine. Things changed, however, when I wrote \u003Ca href=\"http://www.jabberworks.co.uk/oliver-and-the-seawigs/\">\u003Ci>Oliver and the Seawigs\u003C/i>\u003C/a>: that was a joint effort, with a story and characters which I created with Sarah McIntyre, so of course I had to show it to Sarah as I was going along, so that she could chip in ideas and suggestions. That was fun - it was such fun, in fact, that it made me want to write another full-length book of my own. And I&rsquo;d learned to trust the Judgement of McIntyre, I started showing her bits of \u003Ci>Railhead\u003C/i> as I was writing that.\\r\n\\r\n\u003Cimg src=\"https://images.jabberworks.co.uk/lj/sarah_phone_zpscnfvprwg-cafead8ee5.jpg\">\\r\n\\r\nIt wasn&rsquo;t called \u003Ci>Railhead\u003C/i> then, of course - it was called \u003Ci>Untitled Space Epic\u003C/i>. It didn&rsquo;t have Zen as its hero, although I guess the heroes it did have were all forerunners of Zen. It had all sorts of stuff that never made it anywhere near the finished book, although a few names and settings appeared early on and stuck. (The water-moon Tristesse was in there from the start, but it was called Saudade until I realised that M John Harrison had used that name).\\r\n\\r\n\u003Cimg src=\"https://images.jabberworks.co.uk/lj/reeve_timetables_zpsoidpxktt-518d1eaad5.jpg\">\\r\n\\r\nI tried out all kinds of different plots, putting rich characters and poor through wild adventures, gradually finding out how this future society worked, the Corporate Families, the Guardians&hellip; And McIntyre read them all, or most of them, and she was always complimentary, and ready with helpful observations. I think knowing that someone was waiting to read the latest instalment kept me going long after I would otherwise have given up.\\r\n\\r\n\u003Cimg src=\"https://images.jabberworks.co.uk/lj/ian_mcque_railhead_zpsqq5xyar5-c5b6fed2d3.jpg\">\\r\n\u003Ci>Railhead tribute artwork by concept artist \u003Ca href=\"http://ianmcque.bigcartel.com/\">Ian McQue\u003C/a>\u003C/i>\\r\n\\r\nSometimes I made more of a character because Sarah liked them - the android called Nova, for instance, but I didn&rsquo;t always let her influence me. There was a subplot about a girl who had become addicted to a virtual world, and then banished from it. Sarah really liked that part, especially the tragic ending, so I polished up a bit, working out along the way a few details about the Datasea, which is the internet of my future world. But in the end it didn&rsquo;t fit into the story, so Sarah is the only person who will ever read it. All that survives of it in the final book is the girl&rsquo;s name, Threnody, which has been given to a different character.\\r\n\\r\n\u003Cimg src=\"https://images.jabberworks.co.uk/lj/railhead_reeve_platform_zpsk483mljj-1d23fccfac.jpg\">\\r\n\\r\nAnd then I decided that trains, not spaceships, should be what the book revolved around - Sarah was the first person I told about that - and fairly quickly a final(ish) version emerged, which I felt able to show to my agent, who showed it to OUP&hellip; and here we are. But we wouldn&rsquo;t have got here without McIntyre. And while I was preparing the final final version, I Skyped her every day for about a week \u003Cspan style=\"color:#1417db;\">\u003Ci>Sarah interjects: When I was ill with the flu! It was so cheering!\u003C/i>\u003C/span> and read her the whole thing (it&rsquo;s very good practise to read your writing aloud, but you feel a bit silly doing it to yourself).\\r\n\\r\n\u003Cimg src=\"https://images.jabberworks.co.uk/lj/railhead_skype_blue_zpsw9kmrmbb-ed9e5b3594.jpg\" />\\r\n\\r\nSo the first thing most people probably knew about \u003Ci>Railhead\u003C/i> was Sarah&rsquo;s picture of the Unshaven Author reading away on her Skype screen. It isn&rsquo;t a Reeve and McIntyre book, but it wouldn&rsquo;t be the same book without McIntyre, and it might not be a book at all. Thank you, Sarah!\\r\n\\r\n\u003Cspan style=\"color:#1417db;\">\u003Ci>You're very welcome, Reeve!\u003C/i>\u003C/span> \\r\n\\r\n\u003Cimg src=\"https://images.jabberworks.co.uk/lj/reeve_railhead_trainpic_zps4d0do7n8-bdd9694042.jpg\">\\r\n\\r\n\u003Ca href=\"http://www.hive.co.uk/Product/Philip-Reeve/Railhead/17066654\">You can buy \u003Ci>Railhead\u003C/i> right here\u003C/a> and you can follow Philip on Twitter - \u003Ca href=\"http://www.philip-reeve.com/\">@philipreeve1\u003C/a> - and \u003Ca href=\"https://www.facebook.com/philipreeveauthor?fref=ts\">his Facebook page\u003C/a> and our \u003Ca href=\"https://www.facebook.com/reeveandmcintyre?fref=ts\">joint Reeve & McIntyre Facebook page\u003C/a>.","2015-10-10T13:01:00.000Z","a-z-of-raihead-l-is-for-lucky",[],"a-z of raihead: L is for lucky!",1776628727853]